I’m in the midst of switching photography consultants and I interviewed two consultants over the past couple weeks to see who is a better fit. During the calls the goal was to fill them in on my marketing efforts, my photography and get their thoughts on the direction of both.
This summer was epic. Thanks to global warming and El Niño we had an amazing summer with 70° water temps for five months. This shoot with Courtney was my last ocean shoot for the season.
I love being in the water. Long showers, the ocean, the pool…whatever. It makes me feel alive. When I get the opportunity to mix photography with something that makes me feel alive the results are usually special.
I get it. I finally see what all the fuss is about. I got the film back from my first shoot and I love the quality of the Mamiya files. I say files because despite me shooting film I’m paying for the lab to develop and provide large Hi Res scans. The scans have a beautiful soft quality. Because of the softness, skin looks milky and soft; so much so that skin looks good without retouching.
The following images were shot during a shoot with Claire Dellamar. Since it was my first time out with the Mamiya I used the 5D to get me to a place where I was confident that I had a shot worthy of film. When it’s all said and done each shot on the Mamiya costs me ~$3.50. In the grand scheme a couple bucks isn’t much money but at $35 a roll the figures start to grow pretty quickly. Each roll of 120mm film on;y gives me ten shots.
I recently purchased a Mamiya RZ67, a five pound, 30 year old camera that shoots a 6×7 negative on 120 film. A few weeks ago I had my first venture out with the camera and it was an entirely different experience. And that new experience is why I bought an overly heavy, 30 year old camera that shoots film.
A few weeks ago the idea popped into my head to buy a battery powered strobe. This wasn’t the first time I thought about buying one. I’d looked into portable strobes on several previous occasions but could never justify the expense. I’d rented some Profoto 600Rs for a couple shoots that left me cursing mid-way through a shoot when I ran out of power. In this case I knew I had a job coming up that would require a battery powered set-up. I’d need enough power to at least keep up with bright sunlight. I could spend $400 renting a package for the one shoot or I could invest in my own. I opted for the 1100 watt/second Elinchrom Ranger RX with the S head and the PocketWizard ST4 transceiver to pair with my TT5s.