Equipment failure and equipment issues will happen no matter what.
I get it. I finally see what all the fuss is about. I got the film back from my first shoot and I love the quality of the Mamiya files. I say files because despite me shooting film I’m paying for the lab to develop and provide large Hi Res scans. The scans have a beautiful soft quality. Because of the softness, skin looks milky and soft; so much so that skin looks good without retouching.
The following images were shot during a shoot with Claire Dellamar. Since it was my first time out with the Mamiya I used the 5D to get me to a place where I was confident that I had a shot worthy of film. When it’s all said and done each shot on the Mamiya costs me ~$3.50. In the grand scheme a couple bucks isn’t much money but at $35 a roll the figures start to grow pretty quickly. Each roll of 120mm film on;y gives me ten shots.
The reality is that being a freelance photographer isn’t always filled with glamorous or interesting jobs. The fact is that most of my time as a photographer isn’t even spent with a camera in my hand. A few months ago Chase Jarvis posted about the realities of what it means to be a professional photographer (Via SwissMiss). If I break up the 12% piece of the pie into fun and/or interesting jobs I’m probably down to 6-8%. That’s why I shoot for myself. Self created assignments with fellow creatives allows me to experiment, control the outcome to suit me and the people I am working with and to just have fun taking photos. Me booking this job was a result of one of those, for-fun, unpaid, self assigned jobs. It’s actually the second “job” that’s resulted from that shoot. We licensed one of the images from the bodypaint shoot to Chef Rubber for use in a full-page ad in So Good Magazine.