Riley contacted me a few months ago about helping her with her portfolio. Since then we’ve shot twice with great results on both occasions.
I occasionally submit images to blogs and fashion magazines. The money is never good ($0 dollars) but you never know when someone in a new audience will see my work and be motivated enough to want to hire me.
A few months ago I was hired by the Oprah Winfrey Network to shoot portraits of military families and to document on-air promos they were shooting. The promos would be run as interstitials on the network (basically long form, co-branded commercials).
It’s been a busy week. I’ve had four requests for estimates and they all have the potential to turn into real jobs. I get a fair about of requests for quotes but a lot of those calls are just people looking for a dollar amount. Their decision is largely based on budget. Quality, style, the right photographer are all trumped by the all mighty dollar. This week I had conversations with all of of these potential clients and even though all the conversations were promising, I could have talked myself out of a job in every case.
I get it. I finally see what all the fuss is about. I got the film back from my first shoot and I love the quality of the Mamiya files. I say files because despite me shooting film I’m paying for the lab to develop and provide large Hi Res scans. The scans have a beautiful soft quality. Because of the softness, skin looks milky and soft; so much so that skin looks good without retouching.
The following images were shot during a shoot with Claire Dellamar. Since it was my first time out with the Mamiya I used the 5D to get me to a place where I was confident that I had a shot worthy of film. When it’s all said and done each shot on the Mamiya costs me ~$3.50. In the grand scheme a couple bucks isn’t much money but at $35 a roll the figures start to grow pretty quickly. Each roll of 120mm film on;y gives me ten shots.
It’s been about ten years since I’ve shot film. The last time was during a surf trip to Costa Rica where I used an underwater 35mm camera. I have to admit I was anxious. I wanted to see the difference between my 5D Mark III files and the Mamiya. Since I’d never used the Mamiya I wasn’t sure what I would see as a result. Up to this point I had burned through a pack of polaroid film with horrible results. I was afraid the film would look the same.